Each masterful release by Stellamara has appeared years apart, but the treasures and rewards are well worth the wait. Led by the exquisitely gifted singer Sonja Drakulich, with her Hungarian and Serbian ancestry, this group runs on a feverish energy that always stops sufficiently short of frenetic, although they never lack intensity. Right from the start, the virtuoso playing of the members of Stellamara becomes ever-present, while the stellar interplay lends an even greater power to their wonderful web of sound. You'll find yourself wishing for an even stronger vocal emphasis if only because of the magnificent vehicle of vocal expression that Sonja possesses. Her voice is at a never-ending peak of clarity and luminosity, from soft, distant and tailing off into the night, to lively and ignited by fires that burn brightly within. At times she may bring to mind Lisa Gerrard, Loreena McKennit or Azam Ali, but the magnificent way she uses her voice is hers alone. There is no lack of power or presence in this intricately realized music, and those who favor Balkan, Medieval, Persian, Arabic, Greek, Turkish or Far Eastern music will find themselves captured quite easily in the free-flowing marvel that is created. Gari Hegedus has a repertoire that utilizes various Eastern modal systems, and he plays Oud, Baglama, and Mandocello proficiently, taking each passage to a soulful level of modern passion. Cellist Rufus Cappadocia, percussionist Tobias Roberson and clarinet player Peter Jaques join in the sublime magic, moving the music from evocative to inward while driven with a balance that is carefully maintained yet not controlled. Featured as well are two Lyra players (a small pear-shaped upright fiddle from Crete): Irish-born Ross Daly (who also plays Baglama, Divan Saz, Tarbu and African Rebab) and Kelly Thoma (she is also part of the group Labyrinth w/Daly). There is a deeply devotional sense to this music which ebbs and flows from faraway places and times, making for a listening experience that is quite remarkable and unforgettable. --Lloyd Barde, Common Ground Magazine Having enjoyed Stellamara s ethereal world beat exotica on CD for some years now, I have no explanation for my stunned reaction when vocalist Sonja Drakulich sang her first note at the Vault, other than that this was the first definitive proof I ve seen that such a perfect voice does, in fact, come from a human being. Drakulich stepped on the Vault stage looking a little like Cate Blanchett in The Lord of the Rings, quickly winning the audience over with her world-class singing and unpretentious stage presence. One of the most impressive tricks she pulled out was a highly disciplined vocal waver: imagine an impressionist voice painting of a flickering candle flame. She and the other half of Stellamara s core, multi-instrumental string lord Gari Hegedus, were joined by two lively percussionists and a new member, cellist Rufus Cappadocia, who exorcised notes from his instrument with a near obsessive passion. --Good Times, Music Seen The core of Stellamara is singer Sonja Drakulich. ...she intones her Eastern European and Galician dialects in a way that draws your ears toward their musicality rather than their literal meaning. Within her voice, often layered in choirs, she synthesizes Bulgarian, Middle Eastern and Gregorian chant styles, entwining them around a percussion bed of frame drums, darbukas and dumbeks. Stellamara is a global symphony spun through minarets and grounded in the earth. --John Dilberto, Echoes
1 Prelude 1:47 2 Aman Doktor 6:12 3 Miskolc 4:28 4 Yemen Türküsü 9:07 5 Azade 5:29 6 Prituri Se Planinata 4:19 7 Odam Kireç 10:09 8 Lado 6:44 9 Element 12:11