When Robert Fripp recreated King Crimson in the early '80s, he started with a blank slate. The new order of the day was funky, circular patterns that were equal parts Balinese Gamelan music and Talking Heads' REMAIN IN LIGHT. Reprising his role as post-Hendrix guitar hero on the latter, Adrian Belew was a driving force in the new Crimson, his more poppish, light-hearted sensibilities proving the perfect foil for Fripp. Aside from a couple of videos, this is the only live document of that aggregation, recorded in 1984 at their final performance. The African-inspired rhythms of the percussive, polyrhythmic "Thela Hun Ginjeet" and "Waiting Man" are contrasted by Belew's David Byrne-ish vocals as well as his and Fripp's guitar fireworks. Belew's arsenal of bizarre sounds blends with Tony Levin's high register Chapman Stick melodies to fine effect on "Elephant Talk". The countryish (!) "Matte Kudasai" is one of the group's loveliest ballads, achingly delivered. KC's venerated free-form fury is showcased well on "Industry", "Dig Me" and "Lark's Tongues In Aspic". ABSENT LOVERS offers a rare live view of one of the '80s most progressive (in the literal sense) bands. King Crimson: Adrian Belew (vocals, guitar, drums); Robert Fripp (guitar); Tony Levin (synthesizers, bass, stick, background vocals); Bill Bruford (drums, percussion). Recorded live at the Spectrum, Montreal, Canada on July 11, 1984. When Robert Fripp recreated King Crimson in the early '80s, he started with a blank slate. The new order of the day was funky, circular patterns that were equal parts Balinese Gamelan music and Talking Heads' REMAIN IN LIGHT. Reprising his role as post-Hendrix guitar hero on the latter, Adrian Belew was a driving force in the new Crimson, his more poppish, light-hearted sensibilities proving the perfect foil for Fripp. Aside from a couple of videos, this is the only live document of that aggregation, recorded in 1984 at their final performance. The African-inspired rhythms of the percussive, polyrhythmic "Thela Hun Ginjeet" and "Waiting Man" are contrasted by Belew's David Byrne-ish vocals as well as his and Fripp's guitar fireworks. Belew's arsenal of bizarre sounds blends with Tony Levin's high register Chapman Stick melodies to fine effect on "Elephant Talk." The countryish (!) "Matte Kudasai" is one of the group's loveliest ballads, achingly delivered. KC's venerated free-form fury is showcased well on "Industry," "Dig Me" and "Lark's Tongues In Aspic." ABSENT LOVERS offers a rare live view of one of the '80s most progressive (in the literal sense) bands. Led by innovative guitarist/conceptualist Robert Fripp, King Crimson went through countless changes in style and personnel. They moved from early symphonic/progressive rock to angular, experimental improv to a mixture of hard rock and fusion before breaking up in the mid-'70s. Revived in the '80s, the group modernised its approach by incorporating Gamelan-like polyrhythms and an almost danceable Talking Heads-influenced sound into their approach. Always the coolest of the art-rockers, Crimson was also one of the most influential of the early-'70s prog crowd.
track listing--- 1. Entry Of The Crims 2. Larks' Tongues In Aspic Part III 3. Thela Hun Ginjeet 4. Red 5. Matte Kudasai 6. Industry Dig Me 7. Three Of A Perfect Pair 8. Indiscipline 9. Sartori In Tangiers 10. Frame By Frame 11. Man With An Open Heart 12. Waiting Man 13. Sleepless 14. Larks' Tongues In Aspic Part II 15. Discipline 16. Heartbeat 17. Elephant Talk