1. Time Is on My Side - 3:00
2. Heart of Stone - 2:51
3. Play With Fire - 2:16
4. (I Can't Get No) Satisfaction - 3:44
5. As Tears Go By - 2:46
6. Get off of My Cloud - 2:56
7. Mother's Little Helper - 2:48
8. 19th Nervous Breakdown - 3:58
9. Paint It Black - 3:24
10. Under My Thumb - 3:44
11. Ruby Tuesday - 3:18
12. Let's Spend the Night Together - 3:35
13. Jumpin' Jack Flash - 3:43
14. Street Fighting Man - 3:15
15. Sympathy for the Devil - 6:19
16. Honky Tonk Women - 3:02
17. Gimme Shelter - 4:32
18. Midnight Rambler [Live] - 9:15
19. You Can't Always Get What You Want - 7:29
20. Brown Sugar - 3:50
21. Wild Horses - 5:42

Editorial Reviews:

This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting -- and all influential and important -- songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos. On its initial release, Hot Rocks sold well, not only as a unique compilation but also as a panorama of the 1960s. The only flaw was that it didn't give a good look at the Stones' full musical history, ignoring their early blues period and the psychedelic era. There are also some anomalies in Hot Rocks' history for the collector -- the very first pressings included an outtake of "Brown Sugar" featuring Eric Clapton that was promptly replaced; and the original European CD version, issued as two separate discs on the Decca label, was also different from its American counterpart, featuring a version of "Satisfaction" mastered in stereo and putting the guitars on separate channels for the first time. Those musicologist concerns aside, this is still an exciting assembly of material. ~ Bruce Eder, All Music Guide